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Trellis News
Welcome
to February's edition of Trellis News. For new subscribers, or if your spam
filters have stopped recent editions arriving in your inboxes, you can now
read all the back editions of Trellis News on Trellis Coaching's newly launched
website, www.trelliscoaching.com.
The site also has a range of other articles that you might like to browse,
as well as full details of the services that Trellis Coaching offers.
The intention over the next few months is to increase the links page on the
site, as increased links to other sites helps all the sites listed be found
more easily by the spider bots that roam round the internet - this then gives
you a higher ranking on the search engines, ie you appear higher up the page
when somebody does a search using the keywords you have listed. So if you
would like to have a mutual link from the Trellis Coaching site to yours,
do please email me,
Letters Page -
Your opportunity to have your say, to ask questions, look for resources.
As
promised, here's Adam Bailey's very detailed views on how to avoid communication
problems with clients. He sent his letter in response to Jane Lambert's 'client
from hell' request, and I'm sure it will be a valuable resource for many new
designers, especially as it can be always easily
accessed via the Trellis Coaching website, www.trelliscoaching.com:-
Starting
out in this industry is always full of pitfalls - especially with difficult
clients! They are rare, but some people are simply just awkward despite eveything
you try to do.
There are some key points that any designer should always do to make sure
they are on level terms with the client:
1) Always draw up a design brief before the start of the design work, stating
all the clients wishes, together with a few ideas of your own (but not too
many otherwise you can end up designing the garden for free!). Get the client
to agree the design brief before taking any money or starting drawn-up design
work. The design brief should also state who will carry out the construction
work, timing of the project and, where possible, potential costs. At this
stage the client can discuss the initial ideas without committing their wallet
which gives them peace of mind that things are agreed from the start.
2) When completing the graphical plans, make sure you have at least the following:
a) The 2D plan, fully scaled and labelled.
b) Side elevations for relative heights, levels
c) Perspective view (many clients can't visualise a 2D plan and a 'view' of
the garden helps them to imagine the garden after it is built.)
d) Written specification/schedule of works document (vital!). This document
should list every critical aspect of the garden from material types, sizes,
planting strategy, any constructional concerns and any other info that will
inform the contractors exactly how the garden will be built/planted.
e) Planting plan with schedule.
Copies of all plans should be sent to the client for their approval prior
to the start of works. If samples of paving/timber materials are required,
these can be presented at the same time as the plans.
3) Before the contractors start work, get agreement from the client that they
have understood the plans and are clear about what will happen. Do the same
with the contractor! Even if you know the contractor very well, a brief talk
with them will usually bring up any parts that they don't understand. If the
client has an exact plan with full written specifications, there is very little
to go wrong as there is hardly any room for error - short of the contractor
not being able to read the plan/specs properly.
4)
If the project is managed by the designer on a daily/twice weekly basis, even
if things aren't understood, they can be sorted out during the construction
stage, with the client.
In summary, it's all about communication, which is an old cliche, but very
important. As long as you have told the contractors exactly what they are
required to build and the client has understood the plans/written specifications
and has agreed them, then the client will find it very difficult to claim
ignorance when they've said they are clear about it! To paraphrase a topical
quote: "Specification, specification, specification....!"
We all get troublesome clients, that's the joy (?!) of working with the public.
Problems can be avoided however, by leaving no stone unturned in communicating
your ideas to both the client and the contractor in as many ways as possible.
Thanks Adam - as he says, good communication is important, and it's important
in every business. One point to remember is that the responsibility for the
success of the communication always lies with the person who's communicating,
'the speaker', and that this can be ensured by:
1)
using the appropriate language for the receiver to understand
2) the right delivery method for the receiver to receive the message satisfactorily
3) and for the speaker to have a means of checking whether their message has
been received in full, and as they intended it.
If
you've got any comments on this, or maybe on the 'business v hobby' article,
or on any other topic of interest to you and your fellow designers, please
send them by email to
for publication in the next edition of Trellis News.
Article
Is
Your Design Practice a Business or a Hobby?
by Annie Meachem
Practising as a garden designer is a wonderfully fulfilling career, and being
self-employed means you can choose to work full or part-time. It also gives
you the opportunity to work from home, and can be ideal if you have other
commitments, such as children or elderly relatives.
One of the disadvantages of combining home and work responsibilities in this
way is that it can become easy to treat your business as a hobby. Obviously,
if your intention is to treat garden design as a paying hobby, all well and
good, but if your intention is to run your practice as a business, it might
be worth checking out the points below:-
What's
the difference?
A definition of a hobby is an activity from which you derive joy and fulfilment,
satisfaction and pleasure. So surely this is also in part the aim of being
in business? And indeed it is, but with one powerful difference - to be in
business, you must have a focus on profit. Hobbies cost money, they don't
pay (you may make some money, often just enough to cover your expenses), whilst
the success of a business is measured by its profits, its return on capital
invested.
An attitude of mind
You can run a very successful part time business from home, or you can sit
in an expensive office and still be running the practice like a hobby. The
difference is in your attitude and how that translates into your actions -
do you see yourself as a business owner? If someone at a party asks what you
do, can you confidently say I'm a garden designer? Do you take the job of
running the business seriously or do you just want the opportunity to do some
garden designing?
Different aims
The aim of a business is to develop and grow, the aim of a hobby is purely
to enjoy the process, growth is not a priority. A business has a plan, a hobby
just evolves. Having a business plan is the best way of helping the business
develop and grow as you want it to. It clarifies what your goals are, and
focuses your mind on designing your strategy to achieve them.
Different expectation levels
Clients tend to have high expectations of a business, and lower expectations
of the hobbyist. However difficulties can arise when the client is not clear
about which you are. Integrity and authenticity are important factors here,
so that the client knows whether their expectations are realistic.
Different
focal points
The business owner knows that a successful business depends on him providing
what his clients are looking for, rather than what he wants to sell them.
Businesses focus outwards on their client's needs, whilst the hobbyist often
focuses inwards, on his own enjoyment.
Attitudes to Marketing
If your focus is on profit, finding a constant stream of ideal clients, or
better still, being so 'attractive' that they find you, involves an initial
investment of time and effort to develop a coherent marketing plan. It then
needs regular attention to monitor what's working, to adjust your actions
accordingly, and to alter the plan to tie in with the ongoing development
of the business. If it's your hobby, you'd prefer to skip this part. The business
owner keeps marketing at the forefront of his mind, the hobbyist looks for
a client when he's short of work.
Setting boundaries
A business owner maintains very clear boundaries between her home life & her
business, even if the business is run from home, whilst the person with the
hobbyist mindset doesn't. If you were working in an office, you wouldn't spend
time putting on the laundry or watching daytime TV. If you had to take time
off because the kids were sick, you'd expect to have to make that time up
at some point - people running a business keep track of their hours worked
and know that, although it's great having the flexibility of working when
you choose, to be successful involves commitment and dedication.
Financial planning
Planning your finances is essential for the business owner. This means keeping
proper accounts, claiming for all legitimate expenses, preparing a cashflow
forecast - again, the focus is on profit, on the 'bottom line'. It also means
keeping a careful eye on expenditure, only spending what's necessary, whilst
ensuring that you're investing in the best tools of your profession. The hobbyist
tends not to want to spend this amount of effort on figures and paperwork.
Systems planning
The profitable business aims to run smoothly and achieves this by investing
time and thought in designing and implementing the systems that allow it to
purr along. The tendency for the hobbyist is to cope with events as they arise.
This could well be enough to get by on, but it could also then deteriorate
into crisis management, which nullifies the aim of 'enjoying the process'.
Summary: It's all in the mindset
The designer who has a business focus allocates time to work both on and in
their practice, to plan for all aspects of its development, whilst the hobbyist
sets out principally to enjoy himself.
Which are you?
Coaching Exercise:
If
you have realised that you want to be running a business but are approaching
it with the hobbyist mindset, the following questions might help:
1. Where are the gaps for you between where you want your business to be and
where you are now?
2. What is it costing you to run your business as a hobby (financially &
emotionally)?
3.
What opportunities are you missing out on by running your business as a hobby?
4. What are you willing to do differently to close the gaps?
5. What will your first step towards this be?
End
Piece
I'm really delighted with how the year is shaping up for me so far, with lots
of exciting opportunities turning up for Trellis Coaching. My one wish is
that the weather would warm up, my fingers are creaking as I'm typing here
in the cold, or alternatively that I could be in Portugal - I'm being loaned
an excellent book for my next trip out there which will enable me to identify
at least some of the myriad wild flowers that grow in the Alentejo region
of Portugal.
If you're interested in learning how to attract clients, the new website,
www.trelliscoaching.com,
offers a range of options, starting with a fre> (can't type the proper
word, or this email will be blocked by spam filters) 10 part eprogramme -
do visit the website to read more about this.
Until next month,
Best
Wishes
Annie Meachem, ACC
Trellis
Coaching
0845 456 9382
+44 (0) 1243 545010 (from outside UK)
email
"I
help designers and entrepreneurs grow their success - who do you know who's
serious about being effortlessly successful, and is willing to invest in themselves
to achieve their dreams?"
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